Japanese film directors are too ignorant of their intellectual property and rights
Following the popular movie "Newspaper Reporter", Director Michihito Fujii, who is waiting for the Netflix drama version to start distribution.The movie "DIVOC-12", which was participated in Fujii, is an omnibus work that is spun out of 12 short stories by three leading directors and nine young directors.Not only this work, but also Fujii -gumi, who has hardly changed since his college days when he started filming.Netflix and other offerings are all those who have gathered, saying, "Fujii seems to be interesting."There are many ways to create such sites, build, and to be aware of as creators in the future.
©2021 Sony Pictures Entertainment (Japan) Inc. All rights reserved-Please tell us the background of the participation of "Divoc-12" and what kind of work it is.
I was asked by a producer to call out.With a variety of movements in the Corona evil film industry, it can be a work that shows his attitude that he thought, "I can only make a movie."Three coaches, including me (directed by Shinichiro Ueda, directed by Yukiko Mishima), selected two and one young director in auditions, and made 12 short stories for each team.
.-How how did you drop the Fujii team's theme, "Achieving growth", into the work?
I and (Yokohama) meteor who came with me since I couldn't sell it at all would reach the audience.And the young director you chose is discovered.I wonder if all of them should be "aware of growth".In my work, what I was able to make with the staff who had supported me since the indie era was a big "journey".
©2021 Sony Pictures Entertainment (Japan) Inc. All rights reserved.-How is Yokohama's growth?
I met him when he was 14-5 years old, and at the time of shooting the movie "Return of Blue", he seemed to be an actor, but he was more and more "filmists".He feels like he's always standing on the scene to make his work good, not how he wants to reflect or how he wants to play.This time, I shot the same scene in Okinawa, Kyoto and Hokkaido, but the play is getting better and better.In shooting in the set of room on the last day, it was a very emotional play, but all take 1 OK.After becoming a good actor who can be conscious of the role.
.-It said, it was a shooting to go through Japan in three days.Is there a way to survive a tight budget and schedule?
Variety plan!With a schedule (laughs).I have to make a budget, but the best priority is to clarify what.This time, it was "shooting things that no one can see now".For example, in Okinawa, no one walks, and it's really a lot.I wanted to leave such a video that was not seen in the press.Now that I am constantly taking a feature film, the meaning of taking a short story is "Return to the beginning = unreasonable!"I tried it.
-You are from the Faculty of Arts.Trying to become a director from the beginning?
I didn't think at all.When you fell in a university entrance exam and became "Yabe", you know that the Faculty of Arts and Science can only take the exam in English and Japanese, and is there such an easy thing in the Film Department of Arts!It feels like that.When I was in my third year of high school, I saw Charlie Kaufman's "Eternal Sunshine", and the script was amazing!Michel Gondry, dangerous!I thought, the major was also a script course.I was watching only Western paintings, so after enrolling, I was told, "What do you like about Yasujiro Ozu?"。
This content is imported from YouTube. You may be able to find the same content in another format, or you may be able to find more information, at their web site.-When did you change the shift to the director?
The script doesn't work at all, so it's really fun to try the director.Eventually, the supervision business has become more required.I read "I'm 24 years old" or my age mackerel, and while I was in school, I was already taking V -Cinema.The story of a hostess aiming to be the number one cabaret lady.
-In the recent thing, the assistant director has not experienced it, and it seems that many people become popular directors from independent movies.
I've been an assistant director only once at the V -cinema site.I was so angry that I died and thought I wouldn't do it for a lifetime.20 years old I was crispy and thought, "Don't give me an order!" (Laughs).In some times, it was said that independent movies were easier to make their debut, but if the creative is a stable and proper "group", I think there is a trend to debut from the assistant director.I also want to make such a flow, and my assistant director is actually making my debut.
This content is imported from YouTube. You may be able to find the same content in another format, or you may be able to find more information, at their web site.-You launched the director group "Babel Label" at the age of 24.Did you look at what you said now since then?
If you think about it now.At that time, there was no career with no money, but it was still desperate to decide on guidelines."Babel" used to be commercials before, but two years ago, the president suddenly launched "It's a drama from next year!"I'm taking a drama.Everyone, including the president, is a classmate, so it's fun.
-Do you have any consciousness as Fujii Gumi?
The staff's guarantee is set higher than the ordinary group because the director's gala can be lowered.If you think, "Fujii Gumi is good, you can make good things freely," for example, when the producer says, "It may not be possible to have a little budget," everyone will think about it.You will do it.Gala is a respect for respect, and that's why he feels that responsibility and thinks.
―When, why do Fujii think so in the Japanese movie world, which is “cheap?”
In the indie era, I made it for 100,000 yen per bottle, but I can only give the staff to the professional recording department for 10,000 yen.The regret at that time is at the root.When I made a major debut at the age of 26, I felt that Japanese film directors were so ignorant of their intellectual property and rights.If you do not change that consciousness, the gala nor the production cost will not increase, and you will not be able to feed your crew.
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-I feel that there are many groups that say, "I can't easily realize it."
The important thing is to make such respects a system.First, we will raise our own value.For example, if we generate work with too cheap gala, young children will be beaten more.I have to think about that.
Now, Babel is trying to create a new circulation, puts a lot of coaches in their 20s and have been experiencing more and more from the drama third director.And from a young age, the staff recognizes how much effort the staff is to make the paintings that the director is aiming for.So, if respect is nurtured, I think that fighting and harassment on site will not happen basically.My group has an atmosphere like "playing with the director".Do you say that you are still young to make a flat site?
-Do you have any specific consciousness on respect?
In the place where all the directors in each department gathered, they hear their opinions, "What do you think?"And never do not do it in front of everyone.In Taiwan, the staff who got angry in front of everyone returned saying "insulted".It's Sorya likely.I think it's really nonsense, such as those who intentionally scold or mounce in front of everyone.I'm still immature, so when it gets hot on the spot, I'm really angry at the focusman, and I apologize for "I'm sorry" later, but I never do it at the meeting.Because their assistants will see it.
This content is imported from YouTube. You may be able to find the same content in another format, or you may be able to find more information, at their web site.-In the "7s", which was created in 2015, it depicted the difficulties of producing voluntary films and the fresh cruelty.How did you think at that time?
I was doing kendo when I was corporal punishment or normal, and I was patient.So in the 20s, everything is perceived as plus.However, there are people who are crying behind it, but you can see it.I don't want to be good, I want to change that kind of thing.However, in action, not words.Because that is simply cooler.
―I don't want to let the lower generation the hardships you have done.
of course.We have only one spider thread for us, but we will hang 10 so that we can choose a thread that suits you.If you really want to change the industry, I think you should spend more money for this project, but there are certainly things like "vested interests" and "Japanese movie village" in the Japanese movie industry.Because there is.The work in our 30s is not to be tied to the rules, but to change it from the ground up.Creating a soil that talented creators can create works while cherishing their writer.I think there is a method.That's what distribution and overseas projects are creating.Some major movie companies have the same ideas, so I think it's important to exchange information regularly and create new brands.
AFLO-Do you have an international activity?
I have been there all the time since I was in my 20s.Working with overseas coaches, production, staff, and changing what you get there is also a future goal.Until about 10 to 5 years ago, Chinese movies were very Japanese directors and staff.Probably the intention of changing the creative of Chinese filmmakers.If you can do that in Japan.It hasn't come true yet, but please wait for the follow -up (laughs).
Five questions related to movies, asking Fujii
1.How did you become a director?
This is TSUTAYA.In high school, it was customary to stop by TSUTAYA, a 1 -minute walk from the local station on the way home from club activities.In high school, it was the heyday of the mini theater, and I didn't know even if I saw it, but I felt like renting a won carwai for the time being.But I think the feeling of "I didn't understand" at that time was the most important.
2.What are your favorite directors, movies?
The most inclined director is Won Kerwai.I really like "Love Planet".In college he joined the distributed company Prnonnon Ash's "Dimulty Club" and read "Hong Kong Denki Communication".The most respectable director is Alejandro Gonzales Inyalitu.I loved "Beautiful", and at that time I was just shooting overto (Omo).That was the subsequent "Birdman or (an unexpected miracle brought by ignorant)" and "Revenant revived", which incorporated humor, and thought, "This person is growing and amazing."
3.What if you give three all -time vests?
If you say "Eternal Sunshine", "Love Planet", and "Include Japanese movies", is it "Swarou Tail"?I also love movies directed by Shunji Iwai.It's a video poem.
4.For young people who want the movie industry in the future ...?
No, at all.However, there is a feeling that women are getting very good recently.In my group, half of the director team is a woman.I am cheerful and try to do my job properly.Boys are more pride.He seems to be watching himself at the age of 20 (laughs).
5.In this work, the line that "boring is the best" remained in my heart.The daily life I spent while saying "I'm boring" was the happiest if I thought.
Well, just.Still, my life continued, and I thought, "I can't help doing it well."I wanted to make it a work that I couldn't say so that I could encourage and affirm this year, for example, when something else happened 10 years later.It would be nice to be able to enjoy short films in the form of carrying them on the iPhone.
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"Divoc-12"
An omnibus movie packed with 12 full original stories co -starring 12 directors and gorgeous casts, packed with entertainment that has never been experienced.A film production project launched by Sony Pictures Entertainment to support the continuous creative activities of creators, production staff, and actors influenced by the new colon virus infection (COVID-19).The three coaches leading the film production are Director Michito Fujii, Director Shinichiro Ueda, and Yukiko Mishima.The name was gathered, and the theme was made for each team, and film production was performed.
Released on Friday, October 1, 2021.See the official website
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